The Bright Sadness, Charlie Hall’s fourth release, is one of the most intense and passionate albums of the year. Hall is well-known to many listeners, as much for his involvement with the Passion conferences as his previous three albums. In those prior efforts, the artist has shown himself to be a superior worship leader and songwriter; however, The Bright Sadness gives us a Charlie Hall we’ve never had the privilege to hear before.
Hall puts it this way, “The human condition may be frail, but God is bursting with life. There is a massive sunrise full of dreams and hopes right beside the obscenity of the cross, and those two things don’t have to be exclusive… (God) began to show me that my brokenness and messiness fit perfectly with what He came here to do. I was the perfect candidate for mercy and grace and life and hope. In my broken state, He is the Bright inside my sadness.” How bright indeed.
The album begins with the anthemic “Chainbreaker,” an invitation to both Christians and non-Christians to step closer and investigate who God is for themselves. In a society where God is often seen as a cosmic killjoy, Hall gives a refreshing picture of a second chance at life with God, where everyone can drop their chains and run free.
In the midst of that freedom, however, Hall never paints a scene of ease and perfection. Certainly, the world around us is a broken disaster most of the time. In “My Brightness,” he sings, “Yesterday I felt so angry and today so insecure / And I hate it that I wrestle with the God that I adore / I know less about You / But my heart loves You so much more.” It is as if he is giving his listener permission to wrestle alongside him. But in that wrestling, he never lets go of the hope he’s been given.
“Thrill” is the most unashamedly celebratory song on the album, asking, “Who can thrill a heart like Jesus?” but it is the perfectly titled, “Hookers and Robbers,” that imagines the party of the century. The song finds Hall imagining a party full of prostitutes, felons, the homeless, the naked, the arrogant, and the gun-toting – quite the guest list. But this party is a “feast without shame,” a beautiful celebration. “Hookers and Robbers” sounds like the party we all want to be at – a celebration of forgiveness and second chances and the unbelievable grace of God. No matter where we’ve been or what we’ve done, we’re all invited.
After a swift eleven songs, the album closes with a sweet ballad-turned-anthem, “Mystery.” The song is a peaceful ending to this exuberant album, a simple yet passionate song exploring and celebrating the mystery of Christ’s sacrifice.
Sonically, the album has less of a “live” feel than his previous albums, with a slightly more “studio-produced” sound. This could be a turn-off to some of his fans, but the changes reveal a more musically mature Charlie Hall. The musical changes never overwhelm his lyrics, which are the stars of this show. His lyrics are fresh, not content to stay within clichéd boundaries. With each word, each verse, we are encouraged to dig a little deeper in our perceptions of God, to understand and celebrate the intensity of God’s love and heart for us. With its ambitious, upbeat music, this album is meant to be played loudly, equally at home in a worship service or as party music. Either way, we’re all invited along!
Lynn Renee Maxcy is a native Coloradan recently transplanted to Los Angeles with her husband, and she is still laughing that she gets to live by the ocean. She is a freelance writer, musician, publicist and coffee drinker. She blogs often at lynnrenee.wordpress.com.
Sunday Aug 17th, 2008 • View all posts by Lynn Renee Maxcy • View all posts in Album Reviews